![]() Not sure if it's just me, but I have a habit of referring to each scale independent of its modal function. Meganutt - thank you yes that makes sense. The section in the middle where the strings come in, they play the scale pretty much verbatim in ascending fashion, to create that grandiose resolution to the D major chord, after crawling up to it through the b6 and b7. There is a HARMONIC MAJOR scale, but, to my knowledge, no MELODIC MAJOR, since Melodic minor implies a flatted third but the rest of the notes are structured EXACTLY like a Major scale.Īlso, by the way, to hear this scale in use in a popular context, you can take another listen to Kashmir by Led Zeppelin. it would be:Īs you can see, if you start from the F, you get the melodic minor scale. ![]() I love the sound it creates, particularly over a sus2 chord from the tonic. Sometimes it is referred to as Mixolydian b6. What it is, is the fifth mode of Melodic Minor. This is seldom, if ever, called melodic major. ![]()
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